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Tomasz Mandes
abstract Massimo Torricelli, a young and handsome boss of a Sicilian Mafia family, has no other option but to takeover after his father has been assassinated. Laura is a sales director in a luxurious hotel in Warsaw. She has a successful career, but her private life lacks passion. She is taking one last shot to save her relationship. Together with her bone-headed boyfriend, Martin and some other friends, she takes a trip to Sicily. She does not expect that Massimo, the most dangerous man on the island, will get in her way, kidnap her, hold her captive and give her 365 days - to fall in love with him
duration 114 Minute
Star Anna Maria Sieklucka
Tomasz Klimala
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Saying this movie was ridiculous would be an understatement. Getting to know the character before delving straight to the nonsense that was the storyline would maybe have helped. This movie was way better than Fifty Shades of Grey
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This movie was spontaneous. When I tell you, I have been waiting for a movie like this! Ugh! I read Wattpad books all the time, especially the Mafia/gang leader one's. This movie brought every mafia book I've read, to life! MUSTWATCH.

Really enjoyed the erotic scenes wish it kept going. It's Garbage if you're looking for great storyline but if you want to enjoy pure erotic romance yes it is a consummate time pass for you.



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actor: Letizia Battaglia

ratings: 7,4 of 10 star

94 Min

2019

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. description - Ray Garrison, an elite soldier who was killed in battle, is brought back to life by an advanced technology that gives him the ability of super human strength and fast healing. With his new abilities, he goes after the man who killed his wife, or at least, who he believes killed his wife. He soon comes to learn that not everything he learns can be trusted. The true question his: Can he even trust himself?. Country - USA. Don Perlin, Kevin VanHook.

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YouTube. I think It would hv been more badass and convincing if the Rock played this role. Critics Consensus No consensus yet. Tomatometer Not Yet Available TOMATOMETER Total Count: N/A Coming soon Release date: Mar 13, 2020 Audience Score Ratings: Not yet available Bloodshot Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Bloodshot Videos Photos Movie Info Based on the bestselling comic book, Vin Diesel stars as Ray Garrison, a soldier recently killed in action and brought back to life as the superhero Bloodshot by the RST corporation. With an army of nanotechnology in his veins, he's an unstoppable force -- stronger than ever and able to heal instantly. But in controlling his body, the company has sway over his mind and memories, too. Now, Ray doesn't know what's real and what's not -- but he's on a mission to find out. Rating: PG-13 (for intense sequences of violence, some suggestive material and language) Genre: Directed By: Written By: In Theaters: Mar 13, 2020 wide Studio: Columbia Pictures Cast News & Interviews for Bloodshot Critic Reviews for Bloodshot There are no critic reviews yet for Bloodshot. Keep checking Rotten Tomatoes for updates! Audience Reviews for Bloodshot There are no featured reviews for Bloodshot because the movie has not released yet (Mar 13, 2020). See Movies in Theaters Bloodshot Quotes Movie & TV guides.

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The action star toplines a wacky actioner that feels — for better and for worse — like something Michael Bay would have made in the late '90s. Built around a comic-book hero created in 1992, Dave Wilson ’s Valiant Comics adaptation “ Bloodshot ” is a throwback actioner that likely would have killed in the late ’90s, but now feels every inch the product of that era’s humor and innovation. In a rapidly changing world, however, that might not be a bad thing. Vin Diesel stars as the eponymous super-soldier in a film that was released in theaters in the midst of a global pandemic, and smartly made the pivot to VOD release mere days later. While never poised to be a box-office hit, there’s something to be said for piping the delightfully asinine and needlessly convoluted feature into people’s homes when entertainment is more essential than ever. In that context, the whole thing kind of works. Bursting with both the lighting schemes and emotional depth of a Michael Bay film, “Bloodshot” is the kind of cinematic distraction that suddenly seems, if not necessary, wholly welcome. It’s the kind of a film where a bad guy goes “arrrggggh” after being shot repeatedly, as if grievous bodily harm was no worse than a mild case of food poisoning, the sort of film where a horny Vin Diesel rips off his shirt and declares that his hot wife is the reason why he fights for America, goddammit. It’s the kind of film where those things happen within the first five minutes, and it only gets sillier from there. Even Bloodshot himself (he is never, ever referred to as Bloodshot) seems popped right out of an action-hero mold that was played out a decade ago: a kickass solider who knows how to throw a punch but who never quite learned how to take direction from his superiors. Fresh off another successful mission in Mombasa, Ray Garrison (Diesel) reunites with his beloved wife Gina (Talulah Riley) in Italy, intent on taking some time off and reminiscing about his repeated promise to always, always come home to her. The Garrisons’ bliss is short-lived, as both Ray and Gina are soon kidnapped and killed (this is, somehow, not a spoiler) by a nefarious bad guy who wants answers about that last mission and is willing to do anything to get them. And then, after being no less than shot in the head, Ray wakes up in a ritzy medical facility led by the nearly giddy Dr. Emil Harting (Guy Pearce) and his frowning sidekick KT (Eiza González). Ray is indeed dead, or at least was dead, but is now part of a wild medical experiment that has filled his body with nanotech capable of every conceivable upgrade. The tech-y tune-ups impact every facet of his being: Ray’s brain is now essentially a supercomputer, and his body is so charged up that he starts boxing concrete columns for fun. (His baseline intelligence, however, still seems lacking; that’s a load-bearing column, not the kind of thing you want to destroy in your underground lair. ) But there’s a price: Ray can’t remember who he is, but he has enough street smarts to realize that someone must still be looking for him (no, Dr. Harting all but shrugs, they only get soldiers that no one else has claimed), an idea he clings to until his memory inevitably resurfaces. Diesel does not possess much in the way of dramatic chops — his mourning process is the emotional equivalent of all those baddies yelling “arrrggggh” after being shot — but Wilson’s film is more interested in rage as its defining feeling (also, “slow-motion punching”). And thus begins Ray’s quest to exact revenge. It’s not that simple. For all its trite situations, “Bloodshot” has got some twists up its sleeves, from the obvious (much of what unfolds in even the film’s second act was clear from the film’s earliest trailers) to the ridiculous (a third act so stuffed with gamechangers that a scene that takes place in Diesel’s brain is the least noteworthy of them). Most of its action scenes that rely on more than Diesel punching people are inventive and entertaining, especially an early sequence that involves a truck filled with flour cutting off the bad guys in a city tunnel. Jeff Wadlow and Eric Heisserer’s script, while still convoluted, does chop down some of the more bloated elements of the original comic-book storyline, pushing the action into early momentum that helps alleviate some of its later complications. (Bonus: Those changes also make Ray a more immediately likable character. ) The screenplay also collapses a few characters from its source material, unfortunately flattening many of them in the process. Pearce handles the ricocheting characteristics of Dr. Harting, chewing up entire scenes before jumping to the next with little connective tissue. González fares worse, stuck in a one-note role that only exists to give Ray yet another tool in his formidable arsenal. Sam Heughan appears as another one of Dr. Harting’s “wounded warriors, ” a character that seems to exist just to deliver exposition-heavy speeches at optimal moments, while Lamorne Morris shows up halfway through the feature and proceeds to dominate it with outsized charisma. Still, there’s an infectious glee to some of its weirder elements, including an earlier appearance by presumed bad guy Martin Axe (Toby Kebbell), who literally struts around a meat locker to Talking Heads’ “Psycho Killer” before demonstrating himself to be something of, well, a psycho killer. That such a bonkers scene would come back to haunt both Ray and Martin is a given — you don’t make someone with as much actorly gusto as Kebbell perform something so deliriously silly without referring to it as often as possible — but it does eventually take on a far more serious cast. It’s too bad that “Bloodshot” doesn’t seem up to the task of fully skewering its genre and finding something new in the process, instead relying on resurrecting the dead for another bout of briefly diverting entertainment. Grade: C+ “Bloodshot” is now available on VOD. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

C2 bd e7 9a 84 e9 ad 94 e6 b3 95 pubg. As one of the last movies to premiere in theaters before the coronavirus pandemic shut down social gatherings, Bloodshot has had a terrible journey to existence. Once upon a time, the Vin Diesel-led action movie based on the comic book from Valiant Entertainment would have kicked off a new cinematic universe built around its superheroes. That is no longer the case, largely due to a shift in which studio now has the film rights to most Valiant characters. But even if rights weren’t an issue, Bloodshot — which is more of a middling action movie than a promising superhero debut — doesn’t inspire confidence. And in the midst of a pandemic that has reshaped Hollywood, is there even room for a new cinematic universe anymore? As an action movie, Bloodshot is the worst kind of uninspiring: not bad enough to circle back around toward fun, not good enough at action to be even momentarily impressed by a fight scene. Ray Garrison (Vin Diesel) is a soldier rebuilt with the power of high-tech nanomachines that make him super strong, super fast, and able to recover from any injury. The company that did this wants Garrison to be a guinea pig, and Garrison just wants to use his powers to get revenge on the man who killed his wife. The twist comes when Garrison learns that his memories are forgeries, manipulated to motivate him into doing some corporate dirty work. When a potential rival needs to be taken out, handlers wipe Garrison’s memories to give him a new nightmare where someone different killed his wife, and let his desire for revenge run its course. It’s a wonderfully twisted state of affairs, all hamstrung by truly awful writing and action that plays like a CW show with a little extra spending money from dad. It’s, quite simply, boring — the kind of boring that quickly makes you feel like you made a mistake, even if you knowingly put it on because you’re stuck at home with nothing to do for an hour and forty minutes. There’s something admirable about Bloodshot ’s unassuming take on comic book worldbuilding, but it has the unfortunate downside of making everything about it forgettable. It’s hard to imagine Bloodshot ginning up much excitement for a sequel or kicking off a cinematic universe like an earlier version of it was supposed to. ( That movie was going to be directed by the directors of John Wick, with Jared Leto in talks to star. ) But in the grand scheme of things, it’s difficult to envision another cinematic universe getting off the ground anymore. To this day, the Marvel Cinematic Universe remains the only sprawling movie enterprise of its type to find any real success. Every other attempt has been aborted — most famously, Universal’s Dark Universe, and most interestingly, the DCEU, which is actively being retooled under a state of plausible deniability where it does not particularly matter if its post- Justice League films are connected or not. The exception that proves the rule is The Conjuring, which has spawned a web of horror movies loosely connected by the collection of mementos kept under lock and key by the paranormal investigators at the center of that franchise. Creating a cinematic universe is hard, if not impossible, and as Hollywood moves into triage to salvage this year’s releases, extending them into 2021, the idea of a new one just seems increasingly absurd. Whether the plans to build a new constellation of films starring Valiant’s non- Bloodshot characters will weather this storm is just one of the countless projects in limbo right now. The economics of the entertainment industry are being entirely upended, and a return to the previous status quo seems increasingly unlikely. Marvel movies will likely be fine with some reconfiguring, DC films will likely stick around, and mega-franchises like The Fast and Furious movies or Star Wars are probably not going anywhere. But the era where studios actively try to catch the cinematic universe wave? That trend might be over for everyone but the biggest players in Hollywood, a strange period in history brought to an even stranger end.

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Conexiones entre periféricos

Se denominan periféricos tanto a las unidades o dispositivos a través de los cuales el ordenador se comunica con el mundo exterior, como a los sistemas que almacenan o archivan la información, sirviendo de memoria auxiliar de la memoria principal.

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·                       Unidad(es) de salida, con la(s) que la ordenador nos da los resultados de los programas.

·                       Memoria masiva o auxiliar, que facilite su funcionamiento y utilización.

Conexión de periféricos al ordenador.

Las unidades funcionales del ordenador, así como éstas con los periféricos, se comunican por conjuntos o grupos de hilos denominados buses.

Como las unidades del ordenador central funcionan a velocidades muy elevadas, se intercomunican con buses paralelos. Sin embargo, hay periféricos que actúan, en comparación con las unidades centrales, muy lentamente y además pueden estar muy alejados del ordenador central necesitándose hilos muy largos para realizar la conexión. En este caso es aconsejable una conexión de tipo serie.

Los periféricos se interconectan al bus del sistema directamente, o bien a través de unos circuitos denominados interfaces.

Existe una gran diversidad de periféricos con distintas características eléctricas y velocidades de funcionamiento. Las interfaces son para adaptar las características de los periféricos a las del bus del sistema.

Más concretamente, las interfaces cubren básicamente estos tres objetivos:

  • Conversión de datos: Adaptan la representación de datos del bus del sistema a la representación de datos del periférico. Si el periférico, por ejemplo, es de tipo serie la interfase realiza la conversión de paralelo a serie (si es un dispositivo de salida) o de serie a paralelo (si es un dispositivo de entrada).
  • Sincronización: La velocidad operativa del ordenador central suele ser mucho mayor que la de los periféricos. La interfase regula el tráfico de información para que no se den problemas de desincronización o pérdidas de información. Los periféricos (o las interfases) incluyen una memoria intermedia o tampón ("buffer"), efectuándose el tráfico de datos entre el periférico y el bus a través de ella. La interfase suele actuar con unas señales de control y estado que intercambia con la CPU indicando situaciones tales como que está preparada o lista para recibir o transmitir, que ha reconocido la llegada de unos datos, que desea ser atendida por la CPU, etc.
  • Selección de dispositivos: Las interfaces también se encargan de identificar la dirección del periférico que debe intervenir en tráfico de datos. Todos los periféricos están conectados físicamente al bus del sistema, pero en una transmisión concreta, por lo general, solamente uno de ellos debe estar conectado lógicamente al bus de datos, para transmitir a través de él.

 

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Conceptos electrónicos

En electrónica, un circuito impreso o PCB (del inglés Printed Circuit Board), es un medio para sostener mecánicamente y conectar eléctricamente componentes electrónicos, a través de rutas o pistas de material conductor, grabados desde hojas de cobre laminadas sobre un sustrato no conductor.  Los circuitos electrónicos constan de componentes electrónicos interconectados. Estos componentes se clasifican en dos categorías: activos o pasivos. Entre los pasivos se incluyen los reóstatos, los condensadores y los inductores. Los considerados activos incluyen las baterías (o pilas), los generadores, los tubos de vacío y los transistores.   una fuente de alimentación es un dispositivo o subsistema que convierte la corriente alterna de la red de distribución de la energía eléctrica en otro tipo de corriente eléctrica adecuado para el uso que se le vaya a dar. La etapa del amplificador es aumentar el nivel de una señal, incrementando, para ello, la amplitud de la señal de entrada mediante corrientes de polarización (voltaje negativo, voltaje positivo) en el transistor de salida. Un osciloscopio es un instrumento de medición electrónico para la representación gráfica de señales eléctricas que pueden variar en el tiempo. Es muy usado en electrónica de señal, frecuentemente junto a un analizador de espectro El estabilizador de imagen (o sistema de reducción de vibraciones) es el dispositivo encargado de reducir las vibraciones en la captura de una imagen cuando en la toma se producen movimientos no deseados El Transistor es un dispositivo electrónico semiconductor que cumple funciones de amplificador, oscilador, conmutador o rectificador. Un amplificador es un dispositivo que, mediante la utilización de energía externa, magnifica la amplitud o intensidad de un fenómeno físico. Aunque el término amplificador tiene su más amplia utilización en el campo de la electrónica, también existen otros tipos de amplificadores, como los mecánicos. un condensador o capacitor es un dispositivo que esta formado por un par de conductores, generalmente en forma de tablas, esferas o láminas, separados por un material dieléctrico (siendo este utilizado en un condensador para disminuir el campo eléctrico, ya que actúa como aislante) o por el vacío, que, sometidos a una diferencia de potencial (d.d.p.) adquieren una determinada carga eléctrica.

componentes electronicos

componentes electronicos

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bionica

bionica

trabajos de autocad 1

trabajos de autocad 1